Three credit scenes from enemies to lovers.

Helloooooo blog! Today I'm going to talk about the opening credits of three romantic movies (enemy-to-lovers trope). The movies I chose are: How to Lose a Guy in 10 Days from 2003, The Ugly Truth from 2009, and finally, Life as We Know It from 2010.  Basically, in this blog I'm going to tell you the order of the credits.

How to Lose a Guy in 10 Days (2003)

For the intro of this first film, we have many magazines that are clearly aimed at women. So the typography for the opening credits of this film is like that of a very colorful magazine, with different styles, some parts with thin lines and others with thick ones. Oranges, purples, greens, and other colors were used, but always maintaining consistency among them. At the beginning of the film, we see the Paramount logo, and then the first credit says "Paramount Pictures Presents" to make it clearer. The next credit is for the associated companies, such as MMP Moviemarkers Productions GmbH & Co. KG. Then it says the producers are Robert Evans and Christine Peters. It also names Lynda Obst Production. It continues with Donald Petrie Film, and then the title of the film with a white background and the same typography. Some of the actors are listed, and then the casting directors, Levin and Andrew S. Brown, are named.Then the music composer, Music by David Newman, and the music supervisor, Dana Millman-Dufine, are credited. They continue with the costume designer, Karen Patch.The film editor is Debra Neil-Fisher. The production designer is Therese Deprez. The director of photography is John Bailey. They continued with the executive producer, Richard Vane. Then they indicated who the authors of the book on which this film is based were: Based on the book by Michele Alexander and Jeannie Long. They named the screenplay writers: Kristin Buckley & Brian Regan and Burr Steers.And finally, but no less important, the director, Directed by Donald Petrie, who was named for the second time at the end.

Life as We Know It (2010)

For the second film, Life as We Know It (2010), it begins with the logos of the following companies: Warner Bros. Pictures, Village Roadroad Pictures, Gold Circle Films, and Josephson Entertainment, which appear with their animated logos. It continues with the film's title; the typography is very basic, with white letters without an outline, very light and soft, and displayed in normal uppercase and lowercase letters. It continues with the credits, starting with the main cast. Then the music, which was composed by Blake Neely. The costume designer was Debra McGuire. The editing was done by Jim Page.The production design was by Maher Ahmad. The directors of photography were Andrew Dunn, BSC. The executive producers are Denise Di Novi, Scott Niemeyer, Norm Waitt, Katherine Heigl, Nancy Heigl, and Bruce Berman. The producers are Barry Josephson and Paul Brooks. Then the writers, Ian Deitchman and Kristin Rusk Robinson, and finally the director, Greg Berlanti.

The Ugly Truth (2009)

The opening credits of the third film, The Ugly Truth (2009), begin with the logos of Columbia Pictures, Relativity Media, Lakeshore Entertainment, and McCarthy/Marshall Productions. The opening music was "Hot n Cold" by Katy Perry, which speaks of a bipolar love or of opposite poles. It continues with Lakeshore Entertainment presents, followed by A Steven Reuther Production. Then comes Relativity Media in association with. Next, A Robert Luketic Film is shown, followed by the film's title. The typography for "The Ugly" is minimalist and modern, while the typography for "Truth" is elegant, handwritten cursive with fluid and decorative strokes, giving the title a romantic feel. This contrasts the strength of both words. It continues with casting directors Deborah Aquila, C.S.A. and Tricia Wood, C.S.A., followed by music by Aaron Zigman. Costume design by Betsy Heimann. Editors Lisa Zeno Churgin, A.C.E. Production design by Missy Stewart. Director of photography Russell Carpenter, A.S.C. Then the executive producers Andre Lamal, Eric Reid, Katherine Heigl, Nancy Heigl, Produced by Steven Reuther, Kimberly di Bonaventura, Deborah Jelin Newmyer. Story by Nicole Eastman. Screenplay by Nicole Eastman and Karen McCullah Lutz & Kirsten Smith, and directed by Robert Luketic.

So, thanks to this blog, I have a clearer idea of ​​how I want the credits to look in my intro. Bye byeeeeee.

XOXO, Isabella Fraire